How do we look at things? We have so many different words to describe the act of looking. We "eye" something, maybe "glance" at it, or we attenuate the experience by "gazing" at it, or "viewing" it. We capture the degree of distance from our eye and the object by "peering" at it, or the brevity of our action by "peeping." Looking is a complicated act. It emerges from the liminal world. Looking is about creating. It can map its own tangled and knotted invisible architecture onto a space.

By creating impermanent installations (obstructions) that often experience a state change—thus, in effect, themselves, embodying a liminal state—I explore the experience of looking, making the work, itself, expressive of the essence of a glance, fleeting and transitional.