I like to construct narrativesvisually, textually, and orally. I'm interested in storytelling, in creating events that can become mythologiesactions whose endless permutations can serve, creation-like, as the foundation upon which future works are built. As my fascination with myths suggests, I am not overly concerned with what is factual in my work. In fact, I am most comfortable situating my works between belief and disbelief. I believe that such a positioning activates and charges them by making them function as both truths and fictions.